Wednesday, November 13, 2024

A Secret Code or Just a Work of Art?

The “Cipher Manuscript.” That’s its official name as it resides in Yale’s Beinecke Rare Book & Manuscript Library. You might have heard it called the “Voynich Manuscript.” 

See for yourself
 



What’s known about it:

1.      It’s old, possibly from the 1400s.
2.      It’s real, in that it was really produced by human hands.
3.      It’s colorful.
 
What isn’t known about it:
 
1.      Who created it
2.      Why
3.      Where
4.      When
5.      How
6.      What language does it use?
7.      Is it a secret code?
 
Loads of people have proffered loads of “solutions” to any or all of those questions. What appears from a distance as text has been analyzed and argued over, run through computer programs, parsed by code breakers. And so far? Nothing much. While some figures repeat, I'm not sure that any definitive language, code, or exacting linguistic pattern has emerged.
 
After reading an article in The Atlantic (An Intoxicating 500-Year-Old Mystery, by Ariel Sabar, September 2024) and looking at many of the Manuscript’s pages online, I’m going to make a guess. I haven’t gone deep on research, so I’ll lay out my scenario of how the Manuscript was created using Occam’s razor, the simplest explanation that I can come up with.
 
The Manuscript’s possible provenance has been swirling around in the back of my mind since working with other children's writers on a panel about connecting kids locally to global issues, including using nature journaling. What a powerful tool! I learned so much. And because of that, I wonder if trying to decipher the "words" in the Manuscript is even necessary. Are letters always parts of words or can they be simple drawings or doodles? When I was in first grade learning to write the letters “d” and “b,” I’d write them over and over just because I liked the way they looked.

So…
 
Let’s say it’s sometime in the 1400s. Parchment pages (made from animal skin) and paints were a thing, if fairly rare, perhaps made by monks or artists. What if a woman from a group of cloistered women (cloistered by choice or otherwise)--none of whom were able to read--might have seen a nature manuscript and tried explaining it to the others who decided to try making one themselves. Nature journaling doesn't take nearly as much time as I had thought. Without other distractions and with an endless amount of time to fill, a few pages could be written in a day in their makeshift scriptorium.

It seems clear to me that the drawings were done by women because the figures are so thoughtfully drawn. The plant drawings are more abstract, like a young person learning to draw but not understanding anything about the details of plant life or, in this case, maybe women who didn't have access to plants. Zodiac symbols are something they might have seen but never understood other than as drawings.

Or maybe that woman was royalty, elite, exposed to books but forbidden to learn to read. Imagine an English-only speaker seeing a book in Arabic and then trying to copy it from memory.
 
Regardless of everything else, why not have the handwriting analyzed? I have a friend who is a handwriting analyst, and I’m going to ask her to take a look. Some things I’ve witnessed that she’s been able to see in handwriting: 

1.    a friend’s new boyfriend was a total phony (and had us all faked out)
2.    a friend’s boyfriend was a bully (that we already knew, but she only saw his handwriting), and 
3.    an acquaintance had personality issues that many of us knew about but had never discussed.

She can even read children’s printing and "see" various versions of turmoil and personality. Maybe she can at least suggest what kind of person created the Manuscript.

What do you think?


 
 

 
 
 
 
 
 
 
 

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